Category Archives: macarons

OMG I can still make macarons!

Ten months after I last donned my patissier gear and squeezed out a few hundred macarons, I returned to the piping bags for a brief baking blitz.

The six months in 2010 spent making macarons during almost every spare moment was exciting, stimulating and backbreaking. It took a month to get rid of the aches from all that piping!

Most people who turn a passion into a business find the enjoyment wanes massively. Thankfully this didn’t happen for me – the creative expression outweighed the burden of production, but I was approaching complete exhaustion by the end of those six months. Unable to transition rapidly from small-scale to medium-scale production, hanging up the piping bags was the only viable outcome, but I hadn’t anticipated a baking hiatus of ten months even for personal consumption.

Most of 2011 has been incredibly busy for other reasons (and in fact there’s been much less exciting cooking this year in general for me), so macarons just didn’t get a look-in until my co-eater Mittens’s cousin announced it was time for a baby shower.

Resuscitating my macaronic neurons was a lot slower than I thought it would be, and it took easily twice as long as it should have to make a small batch. I felt a bit like a pudgy former Olympian reentering the pool! Much to my relief, everything did come together smoothly, including two of my favourite ganaches, known as DARCY and DAVID: vanilla and cocoa nib, and dark chocolate and raspberry. Yum.

My back hurt for two weeks.

I still love macarons, though they haven’t had much of a mention this year… And of course my baking passion doesn’t stop there. Here’s a derivative of Belinda Jeffery’s one-pan mocha cake (from her fantastic book Mix & Bake), reworked with cinnamon dark chocolate ganache and rose geranium flowers (edible). Beautiful.

Pierre Hermé’s book on macarons is now in English

I know many people come to Syrup & Tang because of macarons, so…

The most impressive book on macarons is now in English! Pierre Hermé’s 2008 French book “Macaron” is out this month in English, published by Grub Street as “Macarons”. It’s not available from all booksellers yet, but you can try these links:*

BookDepository(UK)

BookDepository(US)

Fishpond:AU

Amazon:US

Amazon:UK

Amazon:CA

Amazon:FR

Amazon:DE

Amazon:JP

A little more info is available in the announcement on my book review site The Gastronomer’s Bookshelf, and you can also read the original review of the French version on the site here.

* These links help to support Syrup & Tang.

The flexible macaron Top 20 and why I’m off it

Many people have asked me why I’m not participating in the Melbourne Macaron competition, I’ve decided I have to write this article explaining my perspective. Despite my criticisms, please note that I do hope that event turns out to be fun and successful.

Mystery

Was it poor execution or a cynical PR-thing? First, Twitterers noticed they were being followed by @eatmacarons, a new account that announced the impending revelation of the “top 20” Melbourne macaron establishments and a competition event in October. The account profile pointed to a website “coming soon”. No identification of who was behind the list or the event. Nix. Tantalising tweets went out, tweet-incentives too (free tickets). Still no uncloaking of the organisers.

To me, it smelled like yet another public relations game among the many now playing in the food-internet/blog-world. Managing to follow over 1000 people on Twitter in less than a month is seriously impressive. After some technical research, I discovered that this “Food Designer” was behind it.

On the Sunday before the public announcement of her list, I got a call. (I don’t think out-of-the-blue non-crisis business calls on a weekend are polite, but clearly, telling me I was on her Top 20 list was so urgent that calling was absolutely necessary.) At the same time an invitation letter and entry form for the October competition arrived by email.

The Top 20 list was interesting (and still is). As someone giggled to me, “are there that many good macaron makers in Melbourne?” How did the list come about? As far as I can divine, personal recommendations to the organisers. (And I know who nominated me – thank you.)

Less than 24 hours later another organiser called asking me to verify my participation in the competition (the closing date was still four days away).

The invitation letter described the event as a “student-run initiative”, but the signatory to the invitation was the “Food Designer” Linda Monique Kowalski. She didn’t identify her business or that she (presumably) isn’t a student in this initiative.

Eventually, the website revealed that “A team of 15 volunteers directed by creative consultant & fooddesigner, Linda Monique, aim to promote this petit four as the next cosmopolitan cupcake.” Oh yay. It was still oddly unclear why the students/volunteers were involved (revealed only after I enquired directly to be a Melbourne University student entrepreneurship initiative).

Pay-to-play, and don’t read the rules

The letter informed me that a participation fee for the competition was due by Friday. $220 thank you. This sort of thing might be common in PR/industry competitions, but no thanks.

Reading on, the short set of competition rules finished with clause 6:

“Additional rules to the competition my [sic] be implemented by the Melbourne Macaron team”.

I see. So one agrees to compete and they can do whatever they want with the competition? Amateur or dodgy?

The flexible Top 20

I declined. So did Café Vue, it would seem. Both our names vanished from the “top 20” list tout de suite. We were promptly replaced with backups. I’ve just noticed that Baker D. Chirico is now also gone, replaced by Brunetti. And OMG ROFL the organisers even went so far as to purge their earlier tweets naming us on their list.


The website Top 20 list at the start, and today.


The Twitter feed for @eatmacaron seems to have suffered a deletion. Where’s no. 4? It used to be Café Vue.

There’s something inherently dishonest (or amateurish) in creating and publishing a Top 20 and then editing it post hoc to suit your needs. And it’s just a tad optimistic to assume every nominee would leap at the opportunity to compete (with or without a fee). There was no explicit linkage of Top 20 status and any requirement for participation in the competition (usually you’d name your flexible Top 20 after all the entry forms are in, if that’s how you want to play it).

I continue to hope that the lack of transparency and other issues are more due to inexperience than part of some ill-conceived marketing game, and that it can be a fun event for the participants in the end. I can see the attraction for others who might want a boost in business and I wish them success if they compete.

Finally, so that there aren’t any misconceptions, I don’t mind not being part of the event – while it was nice to briefly have been on the list, I chose not to be involved for the reasons above and events since then seem, for me, to have further justified that decision.

Short and sweet: it seems Adriano Zumbo will be a Melbourne fixture

The Age newspaper this morning mentioned in it’s local gossip column that Sydney patissier and MasterChef regular Adriano Zumbo is on his way to having a presence in Melbourne. I wonder if that explains his increasingly frequent visits!

In some ways I often hope that good pâtissiers will stay on their home turf, giving a reason for visiting their city for a special treat, rather than succumbing to the business temptation of expansion. I imagine many will disagree vehemently, given that Asian outposts of Pierre Hermé and Lenôtre have made it possible to sample good macarons without travelling all the way to Paris. 😉

Of course, until recently Melbourne hadn’t produced any entrepreneurial pâtissiers with the skills to produce good macarons (there are some I haven’t tasted in a while that might have improved… but I don’t spend money on macarons in Melbourne anymore. Too many utterly mediocre experiences.) So I guess Zumbo is giving Melbourne what it deserves.

I visited Zumbo’s shop in Sydney two years ago and wasn’t as thrilled by his macarons as the large number of devotees in Sydney (half of Sydney’s foodbloggers think he’s cute too, so perhaps there’s extra enthusiasm!). I don’t know what his average quality is, but clearly it’s held in high esteem. He’s a creative fellow well beyond just the macarons, and if nothing else he will bring a breath of fun to the patchy but improving (albeit not as much as PR-sponsored reviews might indicate) retail pastry scene in Melbourne.

Macarons by Duncan – a project comes to fruition

[UPDATED: PRODUCTION HAS ENDED FOR NOW. SEE THIS ANNOUNCEMENT] Some people are organised enough to document a project and then tell their readers all about it, blow by blow. Not me. All good intentions of snapping photos evaporated as I juggled the eccentricities of an induction stove, the buttons and dial of a fancy Rational oven (it does almost anything, except tell me why it’s not doing what I want!), and the largest macaron batter I’ve ever made! You see, on Monday I stepped into the kitchen of the new food venture, EARL Canteen, by Jackie and Simon.

You probably all know that I expect a lot of the macarons (one-O, not macaroons) of the world, and Jackie finally persuaded me to try my hand at commercial production late last year (abetted by another long-time nagger who is largely anonymous). I understand the baking challenges that confront the home cook, and have never understood why professionals in Australia don’t do a better job. I also understand the pressures and limitations of business (my dream of gold-leaf initials on my macarons will have to wait… hehehe), but a professional should manage demands of mass production and cost and time, right?

I hadn’t been at the practical end of a commercial kitchen until about three weeks ago, and my first production run was, well, last Monday. I went from home batches of at most eighty macarons to 250 in one fell swoop. And you know what, despite everything (including batter up my armprints and ganache down my front), I’m pretty happy with the final product. There are some things that I think could have gone better (no way I’m telling you what, hehe), and I’m sure I’ll be more satisfied as I get more into the groove. And my piping technique has improved:)

Of course, I hope that customers of EARL Canteen enjoy my macarons and that they meet expectations at least most of the time (hey, I’m aiming for all the time, but nothing can be perfect).

Choosing launch flavours was fun. By pure chance, I saw finger limes at my local Coles supermarket (apparently they bought almost the entire supply for this season… I hate to think how much of the fruit went unsold in the stores). I liked finger lime immediately. Funny little “capsules” (actually “vesicles”) of tart, slightly peppery/musty juice. They’re quite robust, and I immediately thought of mixing them into a ganache. Pop! Pop! Fun. Indeed, someone has already described this macaron as “like a sour warhead going off in your mouth”!


Despite this fun, in macaron mass production I found the fruits are an utter bugger to de-capsulate, so to speak, as the vesicles are a bit sticky, and there are quite a few pips in there too! Grrrr.

The second launch flavour had to be passionfruit. Why? Well, Pierre Hermé (the Parisian super-master-macaron-deity) has a delicious, popular passionfruit+milkchoc macaron named Mogador, and everyone seems to love it (including Sarah, who indicated dire consequences if passionfruit didn’t make a rapid appearance in my repertoire). I wanted something fresher, brighter than the Mogador, as passionfruits are in season right now, so a white chocolate ganache was ideal. Add a few pips for cosmetic value and surprise crunch, and there you go…

I’ve agonised over branding for my macarons, and eventually settled on simple, clear Macarons by Duncan. I guess it’s as honest as can be! I hope you like the logo. Was fun and fiddly to get that far. Every Macaron by Duncan will bear a small, colourful dot on one shell… it seemed a fun way to “brand” the product. What’s more, every flavour has a name. Sometimes there might be a reason, sometimes it’ll be a whim. Finger lime is CLANCY dark. Passionfruit is ZARA white.

A third flavour is on the way, quite possibly this week. I’ve set up some subscription options on the Macarons by Duncan page, so that people can keep up with new flavours (and a small amount of trivia (if you subscribe via Twitter) relating to Syrup & Tang, The Gastronomer’s Bookshelf or food in general).


For the moment, I have an enormous list of ideas for new flavours, but if you’ve got a reallllly special request, you can always message me… maybe sometime in the next year I’ll squeeze it in! (Honestly.)

Thanks to all who have encouraged me to make the macarons happen, especially Jackie for making it possible, and Harry, Mittens, Josh, Sarah and Thanh. And thanks to Mark, Y-C and Matevz for their technical advice. I hope everyone enjoys them (if you live nearby or are visiting).

Of ovens and baking (and macarons)

On the occasion of Jour du Macaron 2010 (I’m a few hours late) and the approximate occasion of Syrup & Tang’s third birthday, I have decided to write about ovens, rather than presenting more pretty domes of deliciousness. Why ovens? Because a lack of understanding of how ovens work is one of the main causes of so many home bakers’ problems. And I promised to write about them a year ago.

Many of you know that the macaron has become one of the, um, signatures of Syrup & Tang. In December 2007, I wrote a series of explanatory articles which I dubbed La Macaronicité. Many, many questions have been answered in the comments to those articles, and my instructions and formulae have been reproduced all over the place (sometimes without acknowledgement, unfortunately).

It’s easy to bring together the themes of ovens and macarons, because if you know your oven, the likelihood of a successful batch of macarons, for instance, is much greater. Knowing your oven is more than just the common problems of people (1) just not letting their ovens preheat for long enough (your oven’s walls need to absorb and then retain heat: it takes more than 15minutes!), and (2) opening oven doors for too long (you can usually expect a drop of at least 10C in a simple open-insert-close transaction).

Among the many problems macaron-makers face, there are five that are almost always caused by issues with heat:

  • no feet
  • lopsided feet
  • air pockets
  • ruptured shell (minor volcano)
  • sticky bottoms

Issues which aren’t usually to do with heat are: wet macarons, collapsed or cracked shells, very thin (translucent) shells (some of these issues are discussed in other posts).

Time for macaron-physics 101!

A macaron has an outer shell which should be thin and crisp in its cooked form (not thick and crunchy!). Below this crisp exterior is soft airy cooked batter, and keeping that soft stomach in is a thin dry layer with a chewy edge (the foot) where the macaron was in contact with the baking paper or Silpat. How is it that the sticky, temperamental batter of almond meal, sugar and egg white turns into a dome of three textures?

chocolate macaron

Heat causes drying, expansion and a whole pile of other more interesting things to happen. Our primary concern is how the distribution of heat in the oven affects the correct development of the shell. The diagram below gives you an idea of the desired process, with a hard shell forming before the air in the batter under shell expands too much. (Ok, other things expand too, but the air is the main thing.) With the right timing, the expanding batter causes the shell to lift, with the foot forming in the gap between shell edge and baking tray.

macaronbaking2

When reading most macaron recipes, you’ll find (a) no info about the type of oven (fan-forced or no-fan), (b) occasional strong recommendations for using stacked baking trays, (c) various instructions to vent the oven by opening the door at some point during cooking.

None of that helps most bakers.

People obey these instructions without having been given insight into why or how relevant such things are for their own situation. Is your oven gas or electric? Does the heat source cover the bottom of your oven, the rear of the oven, the top of the oven? Fan or no fan? Is your thermostat reliable? How efficiently does your oven recover from the door being opened? I could go on.

When I wrote my first instructions for making macarons in my La Macaronicité series, I had battled through so many wasted batches of these diva-biscuits thanks to my belief that published recipes would help me understand what to do right. Doubling baking trays was utterly wrong for my oven (type B below). Venting the oven was pointless. Leaving the shells for an hour before baking was unnecessary (but at least had little negative effect). It took a while after that for me to better understand the relationship between hardened crust, batter expansion under the shell and the resultant rise of the macaron off the baking surface. I get the feeling that too many people who should know this stuff are nonchalant about communicating it to home bakers.

ovensketch2

Of fundamental importance: heat rises. If your heat source is built into the base of the oven (oven image A), as in many modern gas ovens (especially in Europe, perhaps also North America), the heat rises strongly below a baking tray. If the gas flame is at the back of the bottom of the oven (type B), as in typical older Australian oven designs, heat below the tray will be relatively weak. Electric ovens vary in element placement and heat distribution, but if you have a crappy electric oven with an element just at the top (type D), abandon much hope of easy macaron making without a serious oven stone of some sort to store heat in the lower part of the oven.

That double-tray thing you might have read about is entirely a function of people baking with ovens with lots of heat under the trays (types A/C). You double the trays to slow down the penetration of heat from below which could otherwise cause a weak outer shell to burst (minor volcano) and/or the base to brown before the rest of the shell is done. In my case (oven B), I needed to *increase* the heat below the macarons by heating the tray, otherwise the bases were always sticky, making the macarons impossible to remove from the paper.

Understanding how heat in your oven affects your macarons is at least as important as not overmixing your batter. Doing small test batches of just a few macarons is the easiest, least frustrating way of testing the effects of various parameters (I’ve written that before, both on Syrup & Tang and eGullet, but too many people still chuck a whole tray of macarons in an oven, believing that divine providence will deliver unblemished beauties).

In my original experiments two-and-a-half years ago, I found that air pockets seemed to result from minor temperature differences. In my normal method I almost never experience air pockets, but there are still rare occasions which I can’t explain.

I have to reiterate that home bakers have to be willing to read through tips, comments and to test things out themselves — careful, systematic persistence yields results. The problems that can occur often have multiple interacting causes.

Venting the oven at some point (typically for the last few minutes in a fan-forced oven) helps prevent the shells from browning while letting the bases firm up, but even fan-forced ovens may not be giving truly evenly heat, and there’s the added drying effect of fan-forced cooking.

Leaving the shells to crust (dry on the surface) is a kind of insurance policy. It means the surface hardens in the oven a little more quickly. With lots of heat rising under a single baking tray, the batter can easily erupt through the still-weak crust like a mini-volcano. A harder crust will prevent this and, instead, all that expansion will go towards pushing the shell off the sheet, giving (hopefully) a nice foot. Poor professional bakers often leave their shells to crust for ages, resulting in an overly thick, crunchy shell (hello Sydney and Melbourne!). If you’re unlucky, the uncooked batter can adhere to the baking surface as it crusts, with the result that the shells eventually rise unevenly or the batter vomits out from wherever the seal is weakest.

That’s the round-up of macaron-related oven issues. I hope they help inexperienced home bakers solve problems better with temperamental baked goods like macarons (or canelés or pasteís de nata). I might eventually build this information into the original series of articles, but I don’t have enough time at the moment. If you have observations along the above lines that could strengthen these tips, please share.

Masterchef Australia’s macarons: bad crunch

Macarons should not be crunchy.

There, I’ve said it loud.

Every contestant in Masterchef Australia episode 61 had crunchy macarons. (Ok, except Andre, who didn’t have macarons at all.) The microphones captured the powdery crunch of their “Masterchef macaroons”.

Crunch is a result of dehydration. You achieve it in two ways:

  1. You cook them too far (and hey, the colour quickly tells you it’s happening unless you’ve coloured them strongly).
  2. You leave them to stand for hours before baking (great for reducing product loss cos the shells don’t break easily; not so good for retaining the subtleties of texture).

A good shell is crisp and fairly fragile. It should offer resistance to the teeth, but should not make crunchy sounds. In a bag of macarons transported carefully, it’s a miracle if some don’t break. Fragile. Understand? Not bakery-meringue robust. Not looking good after cutting with knife!

Some professional bakers in Australia should keep that in mind, as I’ve noted elsewhere before.

Contestants Poh and Chris did well to produce such visually attractive ones first time round. Unfortunately, I wouldn’t mind betting that this line in the recipe they used was what led them to overcooking the shells: “cook until macaron is able to be lifted from tray“. Ovens vary so much that this instruction is fairly pointless, especially for novices. My home oven would turn macarons to rusks if I had to wait until they lifted off the tray without coaxing.

UPDATE: Scroll down for another piece of silliness, discovered after publishing this earlier today.

macs_july

Australian Gourmet Traveller has a big fat French wank edition this month (some nice recipes, a little food wisdom). The front cover features pink macarons. Behold the following lines in their recipe (French meringue version, by the way):

gourmetmacrubbish

The first highlighted sentence is simply rubbish. The second highlighted sentence will most likely give you a nice, thick, powdery, crunchy shell. Delicious! Ha.